{"id":1792,"date":"2026-06-08T12:12:09","date_gmt":"2026-06-08T12:12:09","guid":{"rendered":"https:\/\/scenariuszowe.pl\/?page_id=1792"},"modified":"2026-06-17T18:45:09","modified_gmt":"2026-06-17T18:45:09","slug":"dwudniowe-warsztaty","status":"publish","type":"page","link":"https:\/\/scenariuszowe.pl\/en\/programy-cykliczne\/dwudniowe-warsztaty\/","title":{"rendered":"Dwudniowe-warsztaty"},"content":{"rendered":"
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Short-term Programmes<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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THE TWO-DAY SCREENWRITING WORKSHOP<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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THE TWO-DAY SCREENWRITING WORKSHOP <\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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The Two-Day Screenwriting Workshop is an intensive two-day collaborative workshop focused on four feature film projects, organised by the Atelier Scenariuszowe Foundation.<\/p>

The workshop is open to any writer developing a fiction feature project, regardless of its stage of development (whether a treatment or a screenplay draft) and regardless of genre. Each workshop is dedicated to only four projects, allowing for in-depth work and an individual approach to every participant. Projects are selected with the aim of creating a group whose members can inspire and challenge one another creatively. We discuss every story openly and respectfully, sharing impressions, doubts, and questions. We expect participants to engage fully not only in the development of their own projects, but also in supporting fellow writers. Participation therefore requires attendance throughout both days, familiarity with all projects under discussion, and active involvement in the conversation.<\/p>

During consultations, we explore topics such as story structure, theme, character motivation, and the backstories of protagonists, supporting characters, and antagonists. We focus on identifying sources of tension and exploring methods of building dramatic conflict. Together, we seek the central dramatic question that can help shape character arcs. We examine whether the stakes of the story are clear, whether the characters\u2019 goals and needs are well defined, and whether these elements place them in situations that compel them to step into an unfamiliar world and discover what lies within themselves.<\/p>

We believe that a conversation in which an empathetic approach to both the writer and the characters is combined with intuition and proven screenwriting tools can provide the foundation upon which a creator builds a story that is structurally clear, coherent, authentic, and distinctive.<\/p>

The workshops (formerly known as the Screenwriting Group Meetings) have been organised since November 2015. Since then, we have had the opportunity to discuss feature films, animated projects, projects for young audiences, as well as short and feature-length works. Many of these projects have gone on to receive support from the Polish Film Institute, participate in international development programmes, and enter production.<\/p>

The workshops are led by the Foundation\u2019s mentors and founders, as well as script consultants who have completed the Foundation\u2019s flagship year-long development programme, Atelier Scenariuszowe, under their guidance.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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WORKSHOP LEADERS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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The workshops are led by the Foundation\u2019s mentors and founders, as well as script consultants who have completed the Foundation\u2019s flagship year-long development programme, Atelier Scenariuszowe, under their guidance.<\/p>

KAROLINA KAPUSTA:
<\/b>Script consultant, poet, and editor. Author of the poetry collection fuzja bordo (Burgundy Fusion, Biuro Literackie, 2023), nominated for the Wies\u0142aw Kazanecki Literary Award. Recipient of the City of Wroc\u0142aw Literary Scholarship in 2024.\n\nA graduate of Atelier Scenariuszowe\u2019s Script Consultancy Track, she studied the anthropology of literature, theatre, and film. She has been involved in the film industry for many years, collaborating with the New Horizons Association on numerous editions of the New Horizons International Film Festival and the American Film Festival. She has also worked with the Timeless Film Festival and the Polish Film Festival in Gdynia.\n\nFor four years, she was responsible for the public relations of Netflix films and series on behalf of a PR agency. She currently works as a PR Manager at CANAL+, where she oversees the communication and promotion of both Polish and international productions. As a communications and marketing strategist, she also collaborates on selected releases distributed by So FILMS, including \u201cFlow\u201d and \u201cLittle Am\u00e9lie\u201d.<\/p>

MASZA GRABOWSKA:
<\/b>I read. I consult. I evaluate. I have been working in the film industry for over fifteen years. I develop marketing strategies and analyse market trends to help promote film projects in the Polish market, including the \u201cPaddington\u201d film series. I evaluate screenplays and have many years of experience in film PR. I am constantly looking for new challenges and opportunities to grow. I am able to assess a project\u2019s distribution potential and work closely with programming teams. To date, I have evaluated more than 200 screenplays. I know the market and its audiences, and I am not afraid of critical yet analytical thinking. I value openness and dialogue. I listen \u2014 but above all, I hear. I always approach working with a screenplay as an exciting journey into the unknown. Over the course of my career, I have worked with HBO Polska, Monolith Films, Platige Image, and Polish producers. I currently work for Kino \u015awiat CANAL+.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Dates: 20\u201321 June 2026\nTime: 10:00 AM \u2013 6:00 PM\nVenue: Mazovian Institute of Culture, 12 Elektoralna Street, Warsaw\nApplication Deadline: 10 June 2026\nFee: PLN 1,500 per project<\/p>

Application Requirements. Please submit the following materials:
Bio or CV outlining your previous creative achievements and\/or professional experience
Synopsis (maximum 4,000 characters including spaces) or a one-page project description
Treatment or screenplay
Applications should be submitted as a PDF file named according to the following format and sent to:\natelier@scenariuszowe.pl<\/p>

In the event of a high number of applications, projects will be selected through a competitive selection process.
Projects that are not selected for this workshop are welcome to apply again for future workshops or to arrange individual script consultations.<\/p>

The workshop taking place on 20\u201321 June 2026 will be led by Karolina Kapusta and Masza Grabowska.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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ZG\u0141OSZENIA*\n\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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*Trwaj\u0105 przygotowania do og\u0142oszenia rekrutacji na IX EDYCJ\u0118 ATELIER SCENARIUSZOWEGO, poni\u017cej zamieszczone zasady zg\u0142osze\u0144 dotycz\u0105 zesz\u0142orocznych warsztat\u00f3w<\/strong><\/p>

Wymagane materia\u0142y:<\/p>

1. Wype\u0142niony formularz zg\u0142oszeniowy: FORMULARZ<\/p>

2. Za\u0142\u0105czniki:<\/p>

  • list motywacyjny \u2013 zawieraj\u0105cy oczekiwania wzgl\u0119dem programu \u2013 maksymalnie 4 tysi\u0105ce znak\u00f3w (ze spacjami)<\/li>
  • kr\u00f3tka wideo-wizyt\u00f3wka – nagranie wideo max. 3 min, w kt\u00f3rych uczestnik opowiada o sobie i swoich motywacjach do wzi\u0119cia udzia\u0142u w warsztatach – plik w formacie mp4\/mov udost\u0119pniony w formie linku<\/li>
  • CV \u2013 zawieraj\u0105ce dotychczasowy dorobek tw\u00f3rczy\/do\u015bwiadczenie zawodowe, dane kontaktowe<\/li>
  • dow\u00f3d wp\u0142aty bezzwrotnej op\u0142aty rekrutacyjnej<\/li>
  • podpisany w\u0142asnor\u0119cznie za\u0142\u0105cznik nr 1 do regulaminu: o\u015bwiadczenie o zgodzie na przetwarzanie danych osobowych.<\/li><\/ul>

    Zg\u0142oszenia w formie jednolitego pliku PDF oznaczone zgodnie ze wzorem: TYTU\u0141 PROJEKTU_NAZWISKO AUTORA
    nale\u017cy przesy\u0142a\u0107 na adres: \u202fatelier@scenariuszowe.pl.<\/p>

    Zg\u0142oszenia nie spe\u0142niaj\u0105ce wymog\u00f3w nie b\u0119d\u0105 rozpatrywane podczas selekcji.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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    OP\u0141ATA REKRUTACYJNA I DANE KONTA BANKOWEGO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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    • Kwota: 50z\u0142 (op\u0142ata bezzwrotna)<\/li>
    • Dane do przelewu: SHIPSBOY SP. Z O.O.<\/li>
    • Numer rachunku: 88 1050 1025 1000 0090 8324 4278<\/li>
    • W tytule przelewu nale\u017cy wpisa\u0107 „IMIE NAZWISKO_Atelier Scenariuszowe\u201d.<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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      Terminy SESJI 2024\/2025*\n\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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      • \u202fSesja I – \u0141\u00f3d\u017a – Listopad 2024<\/li>
      • \u202fSesja II – Gda\u0144sk – Marzec 2025<\/li>
      • \u202fSesja III – Warszawa – Maj 2025<\/li>
      • Sesja IV – Wroc\u0142aw – Lipiec 2025 (podczas MFF mBank Nowe Horyzonty)<\/li><\/ul>

        *organizator zastrzega sobie mo\u017cliwo\u015b\u0107 zmiany zaj\u0119\u0107 stacjonarnych na zaj\u0119cia prowadzone online lub zmiany daty w zale\u017cno\u015bci od panuj\u0105cej w kraju sytuacji epidemiologicznej b\u0105d\u017a innych zdarze\u0144<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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