THE TWO-DAY SCREENWRITING WORKSHOP\u00a0<\/p>\n\n\n\n
ABC ABC ABC<\/p>\n\n\n\n
The workshop is open to any writer developing a fiction feature project, regardless of its stage of development (whether a treatment or a screenplay draft) and regardless of genre. Each workshop is dedicated to only four projects, allowing for in-depth work and an individual approach to every participant. Projects are selected with the aim of creating a group whose members can inspire and challenge one another creatively. We discuss every story openly and respectfully, sharing impressions, doubts, and questions. We expect participants to engage fully not only in the development of their own projects, but also in supporting fellow writers. Participation therefore requires attendance throughout both days, familiarity with all projects under discussion, and active involvement in the conversation.<\/p>\n\n\n\n
During consultations, we explore topics such as story structure, theme, character motivation, and the backstories of protagonists, supporting characters, and antagonists. We focus on identifying sources of tension and exploring methods of building dramatic conflict. Together, we seek the central dramatic question that can help shape character arcs. We examine whether the stakes of the story are clear, whether the characters\u2019 goals and needs are well defined, and whether these elements place them in situations that compel them to step into an unfamiliar world and discover what lies within themselves.<\/p>\n\n\n\n
We believe that a conversation in which an empathetic approach to both the writer and the characters is combined with intuition and proven screenwriting tools can provide the foundation upon which a creator builds a story that is structurally clear, coherent, authentic, and distinctive.<\/p>\n\n\n\n
The workshops (formerly known as the Screenwriting Group Meetings) have been organised since November 2015. Since then, we have had the opportunity to discuss feature films, animated projects, projects for young audiences, as well as short and feature-length works. Many of these projects have gone on to receive support from the Polish Film Institute, participate in international development programmes, and enter production.<\/p>\n\n\n\n
WORKSHOP LEADERS<\/strong><\/p>\n\n\n\n The workshops are led by the Foundation\u2019s mentors and founders, as well as script consultants who have completed the Foundation\u2019s flagship year-long development programme, Atelier Scenariuszowe, under their guidance.<\/p>\n\n\n\n Dates: 20\u201321 June 2026\nTime: 10:00 AM \u2013 6:00 PM\nVenue: Mazovian Institute of Culture, 12 Elektoralna Street, Warsaw\nApplication Deadline: 10 June 2026\nFee: PLN 1,500 per project<\/p>\n\n\n\n Application Requirements. Please submit the following materials:<\/strong> Applications should be submitted as a PDF file named according to the following format and sent to:\natelier@scenariuszowe.pl<\/p>\n\n\n\n *In the event of a large number of applications, a selection of projects will be made. The workshop taking place on 20\u201321 June 2026 will be led by Karolina Kapusta and Masza Grabowska.<\/p>\n\n\n\n KAROLINA KAPUSTA:<\/strong><\/p>\n\n\n\n Script consultant, poet, and editor. Author of the poetry book "Fuzja Bordo" (Literary Office, 2023), nominated for the Wies\u0142aw Kazanecki Literary Award. A 2024 scholarship holder in literature from the Mayor of Wroc\u0142aw. A graduate of the Script Atelier (module for script consultants). She studied the anthropology of literature, theater, and film. She has been involved in the film industry for years. She has collaborated with the New Horizons Association during numerous editions of the New Horizons International Film Festival and the American Film Festival. She has also collaborated with the Timeless Film Festival and the Polish Feature Film Festival in Gdynia. For four years, she was responsible for PR services for Netflix films and series on behalf of a public relations agency. She currently works as a PR Manager at Canal+, where she is responsible for the communication and promotion of Polish and international titles. She also works as a promotion and communication strategist on selected titles of the distributor So FILMS (\u201cFlow\u201d, \u201cLittle Amelia\u201d).<\/p>\n\n\n\n MASHA GRABOWSKA:<\/strong><\/p>\n\n\n\n I read. I consult. I evaluate. I have been working in the film industry for over fifteen years. I develop marketing strategies and analyse market trends to help promote film projects in the Polish market, including the \u201cPaddington\u201d film series. I evaluate screenplays and have many years of experience in film PR. I am constantly looking for new challenges and opportunities to grow. I am able to assess a project\u2019s distribution potential and work closely with programming teams. To date, I have evaluated more than 200 screenplays. I know the market and its audiences, and I am not afraid of critical yet analytical thinking. I value openness and dialogue. I listen \u2014 but above all, I hear. I always approach working with a screenplay as an exciting journey into the unknown. Over the course of my career, I have worked with HBO Polska, Monolith Films, Platige Image, and Polish producers. I currently work for Kino \u015awiat CANAL+.<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>","protected":false},"excerpt":{"rendered":" The Atelier Foundation invites you to the first scriptwriting workshop of the year, a two-day event led by Masza Grabowska and Karolina Kapusta, graduates of the Foundation's flagship program. Consultations for four feature film projects will take place on June 20th and 21st at the Mazovian Institute of Culture in Warsaw.<\/p>","protected":false},"author":1,"featured_media":3989,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1974","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\n
Bio or CV outlining your previous creative achievements and\/or professional experience
Synopsis (maximum 4,000 characters including spaces) or a one-page project description
Treatment or screenplay<\/p>\n\n\n\n
Projects that are not selected for this workshop are welcome to apply again for future workshops or to arrange individual script consultations.<\/p>\n\n\n\n