<\/p>\n\n\n\n
ABC ABC ABC<\/p>\n\n\n\n
The workshop is open to any writer developing a fiction feature project, regardless of its stage of development (whether a treatment or a screenplay draft) and regardless of genre. Each workshop is dedicated to only four projects, allowing for in-depth work and an individual approach to every participant. Projects are selected with the aim of creating a group whose members can inspire and challenge one another creatively. We discuss every story openly and respectfully, sharing impressions, doubts, and questions. We expect participants to engage fully not only in the development of their own projects, but also in supporting fellow writers. Participation therefore requires attendance throughout both days, familiarity with all projects under discussion, and active involvement in the conversation.<\/p>\n\n\n\n
During consultations, we explore topics such as story structure, theme, character motivation, and the backstories of protagonists, supporting characters, and antagonists. We focus on identifying sources of tension and exploring methods of building dramatic conflict. Together, we seek the central dramatic question that can help shape character arcs. We examine whether the stakes of the story are clear, whether the characters\u2019 goals and needs are well defined, and whether these elements place them in situations that compel them to step into an unfamiliar world and discover what lies within themselves.<\/p>\n\n\n\n
We believe that a conversation in which an empathetic approach to both the writer and the characters is combined with intuition and proven screenwriting tools can provide the foundation upon which a creator builds a story that is structurally clear, coherent, authentic, and distinctive.<\/p>\n\n\n\n
The workshops (formerly known as the Screenwriting Group Meetings) have been organised since November 2015. Since then, we have had the opportunity to discuss feature films, animated projects, projects for young audiences, as well as short and feature-length works. Many of these projects have gone on to receive support from the Polish Film Institute, participate in international development programmes, and enter production.<\/p>\n\n\n\n
WORKSHOP LEADERS<\/strong><\/p>\n\n\n\n The workshops are led by the Foundation\u2019s mentors and founders, as well as script consultants who have completed the Foundation\u2019s flagship year-long development programme, Atelier Scenariuszowe, under their guidance.<\/p>\n\n\n\n Termin warsztat\u00f3w: 5-6 wrze\u015bnia 2026 Application Requirements. Please submit the following materials:<\/strong> Zg\u0142oszenia w formie pliku PDF oznaczonym wzorem TYTU\u0141 PROJEKTU_NAZWISKO AUTORA nale\u017cy przes\u0142a\u0107 na adres: anna@scenariuszowe.pl<\/p>\n\n\n\n *In the event of a large number of applications, a selection of projects will be made. Warsztaty, odbywaj\u0105ce si\u0119 5-6 wrze\u015bnia 2026, prowadz\u0105: Kaja Ja\u0142ocha-Kozak i Paulina J\u00f3zefina Moczy\u0144ska. Partnerem warsztat\u00f3w jest Mazovia Warsaw Film Comission oraz Mazowiecki Instytut Kultury.<\/p>\n\n\n\n KAJA JA\u0141OCHA-KOZAK:<\/strong><\/p>\n\n\n\n Producentka kreatywna, kierowniczka developmentu, konsultantka i story edytorka. Absolwentka Szko\u0142y Filmowej w \u0141odzi oraz rocznego programu developmentowego Atelier Scenariuszowe dla konsultant\u00f3w scenariuszowych. Swoje kompetencje w obszarze developmentu rozwija\u0142a uczestnicz\u0105c w licznych programach i warsztatach, m.in. Script Circle, Akcelerator KIPA, Kids Kino Lab, Midpoint Cold Open oraz Midpoint Series Launch. Pe\u0142ni\u0142a funkcj\u0119 development executive w firmie Shipsboy, gdzie odpowiada\u0142a za rozw\u00f3j projekt\u00f3w film\u00f3w fabularnych i seriali \u2013 od wczesnego etapu koncepcji po przygotowanie ich do realizacji. Prowadzi\u0142a r\u00f3wnie\u017c warsztaty scenariuszowe w ramach Film:lab oraz niezale\u017cne konsultacje scenariuszowe. W swojej pracy \u0142\u0105czy perspektyw\u0119 producenck\u0105 i scenariuszow\u0105, wspieraj\u0105c tw\u00f3rc\u00f3w w odkrywaniu to\u017csamo\u015bci historii, rozwijaniu jej dramaturgii oraz poszukiwaniu drogi do realizacji.<\/p>\n\n\n\n PAULINA J\u00d3ZEFINA MOCZY\u0143SKA:<\/strong><\/p>\n\n\n\n I read. I consult. I evaluate. I have been working in the film industry for over fifteen years. I develop marketing strategies and analyse market trends to help promote film projects in the Polish market, including the \u201cPaddington\u201d film series. I evaluate screenplays and have many years of experience in film PR. I am constantly looking for new challenges and opportunities to grow. I am able to assess a project\u2019s distribution potential and work closely with programming teams. To date, I have evaluated more than 200 screenplays. I know the market and its audiences, and I am not afraid of critical yet analytical thinking. I value openness and dialogue. I listen \u2014 but above all, I hear. I always approach working with a screenplay as an exciting journey into the unknown. Over the course of my career, I have worked with HBO Polska, Monolith Films, Platige Image, and Polish producers. I currently work for Kino \u015awiat CANAL+.<\/p>\n\n\n\n <\/p>","protected":false},"excerpt":{"rendered":" Fundacja Atelier Scenariuszowe zaprasza na drugie w tym roku dwudniowe warsztaty scenariuszowe, kt\u00f3re poprowadz\u0105 Kaja Ja\u0142ocha-Kozak i Paulina J\u00f3zefina Moczy\u0144ska, absolwentki flagowego programu Fundacji. Konsultacje czterech projekt\u00f3w film\u00f3w pe\u0142nometra\u017cowych odb\u0119d\u0105 si\u0119 5 i 6 wrze\u015bnia w Mazowieckim Instytucie Kultury w Warszawie.<\/p>","protected":false},"author":3,"featured_media":3990,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3973","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\n
Godziny: 10:00-18:00
Miejsce: Mazowiecki Instytut Kultury, ul. Elektoralna 12, Warszawa
Deadline na zg\u0142oszenia: 26 sierpnia 2026
Cena: 1500 z\u0142 (za projekt)<\/p>\n\n\n\n
– bio lub CV zawieraj\u0105ce dotychczasowy dorobek tw\u00f3rczy\/do\u015bwiadczenie zawodowe,
– synopsis (maksymalnie 4 tysi\u0105ce znak\u00f3w ze spacjami) lub onepager,
– treatment lub scenariusz.<\/p>\n\n\n\n
Projects that are not selected for this workshop are welcome to apply again for future workshops or to arrange individual script consultations.<\/p>\n\n\n\n